Missing your instrument? Let me know using the contact form if you think I should add it to the site. Learn more about how to mic various instruments in the articles below.Chromatic Tuner Universal chromatic online tuner with microphone for any instrument. In Microphone University we have loads of content that could be relevant to you. The VC4099 Clip for Violin works with the GSM4000 Gooseneck Shock Mount, the GM1600 Gooseneck Mount for miniature mics and the 4099 Instrument Microphone. This can be done by bending the gooseneck horizontally toward the F-hole. Tip: If you prefer more volume from the violin, positioning the mic closer to, or pointing at, the F-hole, is ideal. The goosenecks are extremely flexible and can be slightly bent in order to position the microphone as needed. The clip works together with a number of our goosenecks allowing you to not only place the microphones according to your taste but also taking the application and the surrounding noise into consideration. It fits over the edge of the violin and can be adjusted to reach across many widths of violins due to its flexible design. The incoming sound from other sources (instruments, PA system) might reflect off it and enter the microphone from the front even if the microphone is pointing away from the source.Īll of the above-mentioned microphones can be placed either on a microphone stand or directly on the violin using the appropriate microphone mount.Ī great close-miking mount is the VC4099 Clip for Violin, which is sturdy and made to stay in place in almost any position. Moving the microphone close to the instrument will increase the low-end response, which might be desirable.īear in mind that the soundboard of even a relatively small violin reacts as a reflective surface. On the other hand, directional microphones suffer from the proximity effect and therefore require more adjustment to find the preferred position. Using a directional microphone like the 4099 Instrument Microphone or the 4011ES Cardioid Microphone has the advantage of being able to focus on the sound of the key instrument, isolating it from surrounding sound sources, such as other instruments onstage or the PA system. Proximity effect is an increase in bass or low-frequency response when a sound source is close to a directional microphone. Using an omnidirectional microphone ensures the sound will not lack low-frequency due to the proximity effect as when using directional microphones. If you use a gooseneck, you can place the mic a short distance from the instrument if you prefer. Using an omnidirectional microphone – like the 4006ES Omnidirectional Microphone or the 4061 Miniature Omnidirectional Microphone – allows you to pick any one place, close to the instrument. Using an omnidirectional microphone is appropriate when you want to pick up the full sound of the instrument and you can maneuver it (using a gooseneck) a short distance away from the instrument. Omnidirectional (pressure) microphones have the great advantage of picking up sound evenly from all directions (although some “omnidirectional” microphones are slightly directional at the highest frequencies). For more information, read the Mounting the microphone section below. If you prefer more volume, positioning the mic closer to, or pointing at, the F-hole, is ideal yet this may result in a more “boxy” sound. This placement can appear to be too “harsh” but offers a unique combination of natural string sound as well as high audio separation onstage. This position represents many of the elements of the violin sound we want to capture – the sound of the soundboard as well as ‘bite’ when the strings are plucked or bowed. The spot under the bridge, between the strings and the deck, is a good position to mount a mic. The overtones and many fine details of the violin require a microphone that handles high frequencies and has a high-level of accuracy as well. The radiation pattern is very complex and it might require some experimenting with the microphone placement to find the desired sound. The violin is considered to be a high-pitch instrument and it is the smallest in the violin group.
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